Back to
our ‘‘A-Z of Being Indian’’, in which we ask ourselves,
alphabetically, about the shared cultural assumptions of our nationhood....
Singh,
Khushwant:
If one were to single out an
Indian journalist whose name has evoked instant reactions across the land for
the longest time, one would not look beyond Khushwant Singh. No other man could
be remembered for two achievements so different as revealing the existence of
the female torso to the incredulous readership of the formerly staid Illustrated
Weekly of India and returning his Padma Shri to an equally stunned President
Zail Singh.
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Khushwant Singh is
revered by many for making bluntness and candour respectable in a profession
that thrived on euphemism and ellipsis, for teaching journalists that it was not
incompatible with their trade to get up from their desks, and for showing
readers for the first time that writing was meant to be enjoyed as much as
admired. He is condemned by an equal number of critics for what they see as his
salivating lasciviousness, his tiresomely idiosyncratic obsessions and his
complete lack of either taste or discretion. No English-speaking Indian reader
is neutral about Khushwant Singh: the one thing he does not do is leave his
readers cold. May he live to be a hundred, and may he continue to amuse, delight
and provoke well past that landmark.
Socialism:
Is the political credo of India’s left wing. It was also the credo of
India’s right wing (remember when the BJP claimed ‘‘Gandhian
Socialism’’ as its ruling ideology?), its centre, its ruling party
and all its editorialists. You could own land, fancy apartments and cars and
call yourself a socialist; the dominant principle of Indian socialism is
‘‘do as i say, not as i do’’. It’s only since 1991
that it has become acceptable in India for some people not to be socialists, but
the vast majority still pay lip-service to the creed, whether or not they
implement its tenets in policy or
practice.
Tagore,
Rabindranath:
Is the Shakespeare of the
country, our greatest litterateur and a genius on the da Vinci scale, who wrote
novels, short stories, plays, poems, and songs, who founded a new discipline of
music (Rabindra Sangeet) and a new university of the arts (Santiniketan) and
whose work, even in a poor translation, won India’s first Nobel Prize (and
its only one for Literature).
Tagore towers over
India’s cultural consciousness. His ‘Gitanjali’ still evokes
admiration wherever it is read; his ‘Kabuliwallah’ is among the few
short stories most Indians remember; and his famous poem, ‘‘Where
the mind is without fear and the head is held high’’, inspires
generations of Indian school-children long after the context of its composition
has been forgotten. Tagore is also the only human being in the world to have
composed the words and music to two separate national anthems, those of India
and Bangladesh. Rabindranath Tagore would have won immortality in any of his
chosen fields; instead he remains immortal in
all.
The Taj
Mahal:
Is the motif for India on countless
tourist posters and has probably had more camera shutters clicked at it than any
other edifice on the face of this earth. How easily one forgets that this
unequalled monument of love is in fact a tomb, the burial place of a woman who
suffered 13 times the pain of childbirth and died in agony at the 14th attempt.
Perhaps that makes it all the more appropriate as a symbol of India - a land of
beauty and grandeur amidst suffering and
death.
Tata:
The dynasty that long represented the acceptable face of Indian capitalism:
efficient, progressive, productive, honest, profitable and socially conscious.
The Tatas gave India its first indigenous steel industry, its first five-star
hotel, its first company town (Jamshedpur) and its first airline.
When Jamsetji Tata set up
India’s first steel plant in the late 19th century in the teeth of British
opposition, a prominent Englishman dismissed the endeavour by saying that he
would personally eat every ounce of steel an Indian was capable of producing.
Last year, the Tatas purchased British Steel (as part of Corus).
I am not sure which is more
symbolic of the reversal of fortunes - that an Indian company now owns British
Steel, or the earlier purchase by the Tatas of the premier British tea company,
Tetley’s. That each sup of Tetley’s tea puts money into Indian
coffers is poetic justice for which we must always be grateful to Tata.
Tendulkar,
Sachin:
The sobriquet ‘Little
Master’ was already taken, but Sachin Tendulkar was our sole ‘Boy
Wonder’. By the time he was 14, people were speaking of him as potentially
India’s greatest batsman ever, and after breaking onto the international
scene as a precocious 16-year-old, he proceeded to fulfil that potential
brilliantly. His records will long remain the stuff of cricketing legend, but
what future generations will never know is the extraordinary weight of
expectation that Sachin carried on his young shoulders every time he went out to
bat, and the palpable sense of deflation that accompanied his every return to
the pavilion.
Tigers:
Are India’s most significant, yet most fragile, conservation achievement.
In 1900 there were about 35,000 tigers in India; by the time tiger shooting was
banned under a 1972 law there were only 1,872 left, a decimation rate of 95% in
70 years.
Thanks largely to
Project Tiger, established in 1973, that figure has slowly climbed up towards
3,000 again. The problem is that the tiger remains gravely endangered and
conservation requires political sacrifices that are not easily made, notably
relocation of villages to create tiger sanctuaries, and maintenance of adequate
prey to sustain tiger populations.
Tigers need large areas of
land relatively free from incompatible human uses, but how can India reconcile
the agreed ecological goal of protecting tigers with the pursuit of equitable
socio-economic development for the people of the affected areas? The PM’s
‘Tiger Task Force’ came up with ideas that, conservationists agree,
have not yet solved the problem. Unless real political will is put behind it,
India risks the extinction in the wild of this magnificent specimen of our
natural diversity.